Witty and humerous lyrics by the ex writer for Sounds and Zig Zag, Giovano Dadomo. They give yet another idea of 1977 UK Punk with songs such as, "I Can't Come", "Terminal Stupid" and "Bring me the head of Yukio Mishima". Giovanni Dadamo was a music journalist who wrote for publications such as ZigZag, Sounds, and The Face. In 1977 he recorded the novelty punk record "Terminal Stupid"/"I Can't Come", the latter described as "an iconoclastic mantra of amphetamine-induced sexual dysfunction", bac...
Witty and humerous lyrics by the ex writer for Sounds and Zig Zag, Giovano Dadomo. They give yet another idea of 1977 UK Punk with songs such as, "I Can't Come", "Terminal Stupid" and "Bring me the head of Yukio Mishima".
Giovanni Dadamo was a music journalist who wrote for publications such as ZigZag, Sounds, and The Face. In 1977 he recorded the novelty punk record "Terminal Stupid"/"I Can't Come", the latter described as "an iconoclastic mantra of amphetamine-induced sexual dysfunction", backed by guitarist and fellow journalist Dave Fudger and various musicians including members of Eddie and the Hot Rods, and engineered by Steve Lillywhite, who also played bass guitar for the band. Lillywhite's career as a record producer began to take off and Barry Myers, aka punk and reggae disc jockey DJ Scratchy took over on bass. The single was released in late 1977. Dadamo resurfaced in 1978 under the guise of Arthur Comix, with "Isgodaman?" on the Beggars Banquet label compilation Streets.[ He recorded more material which was discovered in the late 1980s and released in 1989 as the I Can't Come album by Damaged Goods Records, described by Maximumrocknroll as "essential for music lovers and music haters alike".[ He also co-wrote two songs with The Damned - "I Just Can't Be Happy Today" and "There Ain't No Sanity Clause", the latter of which appeared in demo form on I Can't Come.
Dadamo also co-wrote the book New Women in Rock (1982, Delilah/Putnam) with Liz Thompson.
