Real Illusions: Reflections is the first studio album since Steve Vai's 1999 studio release The Ultra Zone. The album was released on February 22, 2005.
For his first studio album in five years, Steve Vai came up with a "rock fable" described as follows: "Real Illusions: Reflections is the first part of a multilayered menagerie of vignettes based on the amplified mental exaggerations of a truth-seeking madman who sees the world... Oh, never mind." Sound advice there. Each tune has a descriptio...
Real Illusions: Reflections is the first studio album since Steve Vai's 1999 studio release The Ultra Zone. The album was released on February 22, 2005.
For his first studio album in five years, Steve Vai came up with a "rock fable" described as follows: "Real Illusions: Reflections is the first part of a multilayered menagerie of vignettes based on the amplified mental exaggerations of a truth-seeking madman who sees the world... Oh, never mind." Sound advice there. Each tune has a description of the "story line" and further track-by-track description is available on Vai's website, but the reality is that the concept doesn't get in the way of the music on this largely instrumental offering. "Building the Church" is everything you'd expect right out of the gate: crunching heavy riffs and wild elastic soloing, but Vai's always been more interested in solid melodies and great attention to sonic detail and tone than he is in empty showboating. As a result, his playing is restrained and lyrical just as often is it is flashy, with the composition itself taking precedence over the soloing. He's got a great ear for arrangements, and can build a track with a thousand guitar parts or turn around and sound just as full with a single guitar, bass, and drums (as on the beautiful "K'm-Pee-Du-Wee"). He's also got a couple surprises: like getting funky with scatted mouth percussion and horn charts on "Firewall" or the amusing and experimental "Yai Yai," with its ticking clock rhythm and crazy talkbox work. "Freak Show Excess" (title says it all) is a wild guitar fest with cool electric sitar, and then there's "Lotus Feet," a live track taken from concerts Vai did with the Metropole Orkester (one of Europe's finest orchestras) in Holland in 2004. As a vocalist, he's gotten way more confident, and while it's doubtful his singing will ever be the primary attraction, he does a fine job here. The playing and production is fantastic, but it seems that with the different styles and feels (along with excellent pacing) Vai really tried to craft a solid album as opposed to a series of dazzling tracks and succeeded nicely.
Credits
Dick Bakker -- Conductor
Priscila Bara -- Management
Hooshik Bayliss -- Art Direction, Collage
Bryan Beller -- Bass
Len Birman -- Spoken Word
Ruby Birman -- Spoken Word
Gregg Bissonette -- Percussion
Paul Bliven -- Assistant Engineer
Neil Citron -- Assistant Engineer
Andrea Cobb -- Cover Art
Jeremy Colson -- Percussion, Drums
Pamela Dancy -- Production Coordination
Larry DiMarzio -- Photography
Stacie Ellis -- Vocals (bckgr)
Laurel Fishman -- Spoken Word
Gary Grant -- Trumpet
Bernie Grundman -- Mastering
Jerry Hey -- Trumpet
Dan Higgins -- Saxophone
David Kole -- Orchestration
Michael Lau Robles -- Design
Charles Loper -- Trombone
Tony MacAlpine -- Guitar, Keyboards, Vocals
Jeff Mallard -- Spoken Word
Michael Mesker -- Spoken Word
Thomas Nordegg -- Spoken Word
Chris Opperman -- Piano
Bill Reichenbach Jr -- Trombone
Tony Sartino -- Stylist
Daniel Schmidt -- Management
John A. Sepetys -- Management
Ruta E. Sepetys -- Management
Billy Sheehan -- Bass, Guitar (Bass), Vocals
Kaz Utsunomiya -- A&R
Fire Vai -- Spoken Word
Pia Vai -- Harp
Steve Vai -- Guitar, Composer, Vocals, Producer, Engineer, Mixing, Audio Production, Instrumentation
Dave Weiner -- Guitar (Acoustic), Guitar, Guitar (Electric), Guitar (Rhythm), Sitar (Electric)
Larry E. Williams -- Saxophone
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