In Absentia is the seventh studio album by British progressive rock band Porcupine Tree, first released on September 24, 2002. It was their first release on a major record label, Lava Records.
Though never announced as such by the members of the band, many consider In Absentia to be a concept album. It is said to be an investigation of the causes of insanity and serial killing told through the story of man from childhood through marriage, as many of the songs can demonstrate.
Steven Wilson is...
In Absentia is the seventh studio album by British progressive rock band Porcupine Tree, first released on September 24, 2002. It was their first release on a major record label, Lava Records.
Though never announced as such by the members of the band, many consider In Absentia to be a concept album. It is said to be an investigation of the causes of insanity and serial killing told through the story of man from childhood through marriage, as many of the songs can demonstrate.
Steven Wilson is always tight-lipped about the meanings of his lyrics largely because (especially on this album) they are loose and open to interpretation. He has said that he means for the lyrics not only to be understood as part of the album's concept (serial killers, rapists, child abusers and other "deviants") but also subjectively, according to what the listener brings and assumes about them. For example, the song "Gravity Eyelids" has lyrics which seem to suggest connection to the album's concept, but Steven Wilson has also noted that it was written about an "evening by the Dead Sea." The erotic feel of the lyrics also lend themselves to interpretation as a love song.
Aside from "The Sound of Muzak", which is clearly a criticism of the modern music industry, and "Wedding Nails", an instrumental, all of the songs have lyrics that can be linked to the theme. Some seem vague and hard to connect: "Trains", which Wilson explained as being an evocation of his memories of childhood summers, includes the lyric "you're tying me up", which shares a theme with a line from "The Creator Has a Mastertape", a song more clearly about an abusive family relationship.
In general, the first songs of the album seem lighter and less or more vaguely connected to the concept, as well as being musically lighter and more cheerful. With the eerie ".3", the album transitions into its darker second section, which contains the songs "The Creator Has a Mastertape" and "Strip the Soul", which deal more explicitly with a family marred by abuse and murder. One fan reported on the official Porcupine Tree forum that Steven Wilson mentioned the killer Fred West as a notable influence on the album. West had a large family whom he abused physically and sexually, while he and his wife lured many victims to their home to be murdered and often buried in the garden or bricked into the walls of the ever-changing house; this theme appears many times throughout the album. It should be noted that there's a music video for "Strip the Soul" that has several grotesque and disturbing images that portray what seems to be a man dismembering a body.
However, the meanings of the songs as Steven Wilson meant them are intentionally left open and are fair game for speculation. They are meant to have different meanings and significance to each listener, so an absolute statement about the origin or meaning of one song would be impossible to make.
This album also marked the arrival of Gavin Harrison, who is their current drummer/percussionist.
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