Ollie Powers' Harmony Syncopators

Biography

Ollie Powers is an obsure figure in the shadows of early Jazz history in Chicago, though, as will be seen from the personnel given below, his band in the autumn of 1923 contained some names to conjure with. As far as can be ascertained, nothing else from this session was ever issued and it is quite likely nothing was ever made, as the 'takes' of this number reach as high as six, four of which were issued by Paramount on their own or subsidiary labels such as Claxonola and Puritan. The take used...

Ollie Powers is an obsure figure in the shadows of early Jazz history in Chicago, though, as will be seen from the personnel given below, his band in the autumn of 1923 contained some names to conjure with. As far as can be ascertained, nothing else from this session was ever issued and it is quite likely nothing was ever made, as the 'takes' of this number reach as high as six, four of which were issued by Paramount on their own or subsidiary labels such as Claxonola and Puritan. The take used here was the fourth. It is not known whether these six takes were made in one day or over a period of time.

The general sound of the band is suggestive of an attempt to emulate the very successful King Oliver's Creole Jazz Band , then playing at the Lincoln Gardens (459 East 31st Street), with Louis Armstrong and Johnny Dodds. So far as the front line is concerned, this is achieved remarkably well. Ladnier was very much a force to be reckoned with, though lacking at that time to some extent the maturity of Oliver and the genius of Armstrong. Vincent, or Venson on trombone was at least Dutrey's equal, and Noone of the gentler Creole school of clarinettists, could give a good account of himself, and does so in this recording. Diemer introduces the alto saxophone voice to little advantage, but the rhythm section as a unit is inclined to stodginess, due to the unimaginative and over-recorded brass bass (probably sousaphone). Calamese, the second cornet, and Powers, the leader, are barely discernible owing to the indifferent recording. Nevertheless, this is a record of great historical interest and, unlike many others of this description, it has quite long moments of musical value.

It appears that Ollie Powers was a vocalist as well as a drummer, for on the original coupling to this title he sang a number Jazzbo Jenkins. From this and the fact of his having recorded two quite commercial numbers for Paramount three months earlier, and two more for Columbia in New York over a year later (these were never issued), it seems likely that his status as a jazz musician (although Freddie Keppard and Louis Armstrong both played briefly with this group) is not as obvious as that of a cabaret entertainer.

Taken from the book Recorded Jazz: A Critical Guide by Rex Harris and Brian Rust.


Discography

Jazzbo Jenkins
(Shelton Brooks)9-1923Chicago, IllinoisParamount
12059-B
1538-1
Jazzbo Jenkins
(Shelton Brooks)9-1923Chicago, IllinoisParamount
12059-B
1538-2
Play That Thing
(Ollie Powers)9-1923Chicago, IllinoisPuritan
11263
Claxtonola
40263
1502-1
Play That Thing
(Ollie Powers)9-1923Chicago, IllinoisParamount
20263-A
Claxtonola
40263
Harmograph
851
1502-3
Play That Thing
(Ollie Powers)9-1923Chicago, IllinoisParamount
12059-A
1502-4
Play That Thing
(Ollie Powers)9-1923Chicago, IllinoisParamount
12059-A
Harmograph
874
1502-5
Play That Thing
(Ollie Powers)9-1923Chicago, IllinoisParamount
12059-A
1502-6

Band members

John BasleyBanjo
Alex CalameseCornet
Grover ComptonPiano
Horace DemerAlto Saxophone
Ollie PowersVocals, Drums, Director
Eddie VincientTrombone
Tommy LadnierCornet
Jimmie NooneClarinet, Alto Saxophone
William MooreTuba Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.