Death Angel
Biography
Among the youngest bands ever to storm the metal genre, Death Angel has come to be known as one of the most influential bands to emerge from the thriving Bay Area Thrash Metal Scene in the early 1980s, an era when one could catch Cliff Burton at the front of the stage at Ruthie's Inn banging his head to Death Angel's inventive style, and speedy, complex arrangements. In 1986, a Death Angel demo produced by Kirk Hammett titled "Kill As One" sparked the interest of Enigma Records. Then, in 1987,...
Among the youngest bands ever to storm the metal genre, Death Angel has come to be known as one of the most influential bands to emerge from the thriving Bay Area Thrash Metal Scene in the early 1980s, an era when one could catch Cliff Burton at the front of the stage at Ruthie's Inn banging his head to Death Angel's inventive style, and speedy, complex arrangements.
In 1986, a Death Angel demo produced by Kirk Hammett titled "Kill As One" sparked the interest of Enigma Records. Then, in 1987, Death Angel's debut, The Ultra Violence, was released. Drummer Andy Galeon was just 14 years old at the time. The album was a full-frontal assault on the ears, buzzing with the group's youthful energy, and The Ultra Violence sold 40,000 copies in just four months. Another innovative recording, Frolic Through the Park, followed, marking Death Angel's evolution both lyrically and musically. "Bored," another track from the band's second release, highlighted the cutting-edge band's inventive dynamics, and won a spot on MTV's "Headbanger's Ball."
Geffen Records was impressed enough with Death Angel's television premier to offer the band a deal, and Death Angel became the first band of their breed to appear on the major label's roster. At Geffen, the band released what is widely regarded as one of the most original and accomplished thrash metal albums ever recorded, Act III. The record pushed the limits of the genre to create something truly unique, a definitive work that is essential to any metal fan's music collection. Death Angel's masterful songwriting ability was once again on display nationwide in 1990, as the videos for "Seemingly Endless Time' and 'Room With A View' saw heavy rotation on MTV.
Death Angel's world tour between 1986 and 1990 included two sold-out tours of Japan. in fact, nearly every date on the Act III World Tour, which included storied venues such as The Warfield Theater in San Francisco, The Ritz in New York, and England's Hammersmith Odeon, were sold out to capacity, a remarkable achievement for any band, but particularly stunning for such a young group, not to mention one comprised of cousins.
Death Angel's trajectory to fame was tragically cut short in 1990, when the band's tour bus crashed in the Arizona desert. Drummer Andy Galeon was critically injured, and would need more than a year to recover. During this downtime, vocalist Mark Osegueda left the band and moved to New York to pursue a life outside of music. The remaining members went on to form The Organization, and released two full-length albums under that name. The "O," as they came to be known, toured extensively throughout the United States and Europe, including two appearances at Holland's famed Dynamo Open Air Festival, a support slot on Rob Halford's "Fight" tour, and as the main support for the Motorhead tour in Europe.
After the "O" disbanded in 1995, the band members went on to pursue other musical projects, including The Past (Rob, Andy, Dennis, Gus), Big Shrimp (Dennis, Andy), Smokestack (Rob, Andy), Silver Circus (Mark), and Swarm (Rob, Andy, Mark). The latter incarnation toured the United States for three months in 2001, supporting Jerry Cantrell.
Death Angel resurfaced in 2001 to perform at a cancer benefit for front-man Chuck Billy, called "Thrash of the Titans." The response was so great that many offers came quickly in 2002, beginning with a "secret" gig in San Francisco, and sold it out under the pseudo name, Kill As One.
The show was a warm-up for 2 dates in Holland, including the famed Dynamo Open Air Festival and a pre-event show at the Efenaar club in Eindhoven, which sold out before the band even arrived in Europe.
The next year saw DA supporting Metallica at the Fillmore in San Francisco as well as supporting Anthrax and Halford in the US. What began as a gathering of positive vibes for a friend turned into a full time mission to continue a journey that began so long ago…
In 2004 Death Angel released their long awaited fourth studio disc, The Art of Dying on Nuclear Blast. A natural progression from Act III, the new album delivered straight Thrash Metal with diverse musicality to rave reviews worldwide. Brutal thrasher “Thrown to the Wolves”, the melodic doom of “The Devil Incarnate” and the speed rock of “Thicker than Blood” proved to fans that they didn’t miss a beat. The disc concludes with the acoustic rocktune “Word to the Wise”, while their overcome all obstacles approach remains intact. The band hit the road to support T.A.O.D., embarking on an extensive tour with festival appearances in Germany, Belgium, Italy, Finland, Mexico and Japan. The group found themselves sharing the bill with many of their early influences, from UFO to Alice in Chains, and from The Exploited to Guns N' Roses. Currently Death Angel is in the studio writing songs for a new album slated for release in autumn 2007, surfacing only to headline the Pulp Summer Slam Festival in the Philippines and Rock Hard Festival in Germany this summer. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
