Lissa Schneckenburger

Biography

Lissa Schneckenburger is an American folk singer and fiddler, Raised in a small town in Maine and now living in Vermont, Schneckenburge grew up with music. She began playing fiddle at the age of six, inspired by her mother's interest in folk music and a family friend who was a professional violinist. Soon she was studying with influential Maine fiddler Greg Boardman and sitting in with the Maine Country Dance Orchestra. http://www.lissafiddle.com/tour.php By the time she was in high school sh...

Lissa Schneckenburger is an American folk singer and fiddler,

Raised in a small town in Maine and now living in Vermont, Schneckenburge grew up with music. She began playing fiddle at the age of six, inspired by her mother's interest in folk music and a family friend who was a professional violinist. Soon she was studying with influential Maine fiddler Greg Boardman and sitting in with the Maine Country Dance Orchestra.
http://www.lissafiddle.com/tour.php

By the time she was in high school she was playing concerts on her own, specializing in the sprightly New England dance tunes that combine influences from the British Isles and Quebec with homegrown twists that have been evolving since Colonial days. Another of her major influences was the diverse musical community that she found at fiddle camps, where she had a chance to play with and learn from a wide variety of musicians including noted Scottish fiddler Alasdair Fraser. In 2001 she graduated from the New England Conservatory of Music with a degree in contemporary improvisation, and since then has been performing around the US and internationally for a growing audience of enthusiastic listeners. She has recorded seven CDs, (four solo and three with various groups).

Subsequently, she began closely studying the roots of the Downeast traditional music that she first heard as a young girl. She recorded a pair of CDs dedicated to reintroducing some wonderful but largely forgotten songs and tunes from New England that she uncovered through archival research at the University of Maine and elsewhere. “Song” contains ten timeless ballads that go back as far as the eighteenth century that she set to carefully crafted modern arrangements, while “Dance” features fiddle tunes. "There is currently a lot of focus on traditional American music from the South", she explains, "and many bands are exploring and recording that repertoire, but no one is getting to hear the amazing repertoire of traditional music from the North. This is my first attempt at getting some of that music out there for people to enjoy." Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.