"My personal contribution to the ol' pigeonhole is 'psychedelic cow punk'; I'm not really worried about it though because I've tried to define the music myself and failed miserably. If I don't know what it is, then how the f*** is anyone else gonna know?" From gratuitously confusing time signatures to delightfully simple hooks, from meticulous choral and instumental arrangements to their glorious train wreck of a live show, Entire Cities seem to have a personality disorder. The loosely defined...
"My personal contribution to the ol' pigeonhole is 'psychedelic cow punk'; I'm not really worried about it though because I've tried to define the music myself and failed miserably. If I don't know what it is, then how the f*** is anyone else gonna know?"
From gratuitously confusing time signatures to delightfully simple hooks, from meticulous choral and instumental arrangements to their glorious train wreck of a live show, Entire Cities seem to have a personality disorder. The loosely defined orchestral rockabilly sound is the construct of no less than nine musicians, artists, writers and actors hell-bent on throwing the best party of the night each and every time they play. Discordant, melodic, barn-burning and mournful; Entire Cities' eclectic line up and musical influences make them feel like a band that is perfectly and precisely stumbling towards something big.
As they build towards their debut EP with producer Jack Donovan, Entire Cities have fast become a mainstay on the Toronto club scene. From their initial, stripped down introduction at the Bedsprings Talent Show in April of 2005 to the current whirling dervish set to play the Pitter Patter Music Festival in 2007, Entire Cities are undisputedly a live band, and one on a mission.
http://www.myspace.com/entirecities Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
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